It takes more than good intentions to transform the South. It takes money.
What the hell is a Scalawag?
Read the letter from Scalawag's Executive Director-Publisher on the Atlanta shootings: "We don't have to wait for the police to decide that the killings were 'racially motivated' to know this was white supremacy."
"We're rightfully horrified and angered when we wake up once again to a community in mourning because more people have been murdered at the hands of white supremacist violence. We ask ourselves how we got here, and point the finger everywhere else but our own chests."
Editor's note: This piece was originally published in 2015 in the aftermath of the Charleston church shooting. We're sharing it again now in light of the recent shooting in Atlanta that left six Asian women dead at the hands of a lone white murderer.
As racialized mass violence once again positions white reactions to the forefront, these same topics—the sublimation of white guilt, proximity to power, and narrative control—are just as relevant now as they were in 2015.
Scalawag stands in solidarity with the freedom fighters demanding justice for all people killed by agents of white supremacy, in the South and across the nation. We vow to continue to illuminate dissent, unsettle dominant narratives, and pursue justice and liberation in the South and beyond in the fight for a more equitable and people-powered system.
In 2000, South Carolina moved the Confederate flag that had flown above the State House dome since 1961 to a monument in front of the building. I was 12 years old, watching news coverage of the debates in my sixth grade classroom in a suburb of Columbia called Irmo. News crews flocked to the area and framed shots of places like Maurice's Piggie Park, an infamous barbecue chain run by an ardent segregationist that proudly flew the flag until last 2014.
Maurice's was the best barbecue in town, but I only went during the town's annual festival, the Okra Strut, when 12-year-old me could escape my parents' gaze and run with the rest of Irmo's children along the stretch of Lake Murray Boulevard where Maurice's was. I normally avoided Maurice's, because my parents had taught me well enough to know that the people who supported Maurice were not our kind of people.
My parents probably knew about the 1968 Supreme Court Case (Newman v. Piggie Park Enterprises) that Maurice had lost when he attempted to bar Black customers from his restaurants, and about his failed political campaigns around the same time—or maybe they just knew about the proslavery pamphlets Maurice still distributed at his restaurants in 2000. To know those things, to see the battle flag that represented them waving above his restaurants, was to know that Maurice and his customers were not good people, certainly not like those of us who knew better.
This kind of self-absolution is fundamental to the ways white Americans talk about race: Racism is always the fault of someone else, someone who doesn't know what I know. The prevalent discourse among white-dominated media outlets and white communities since Black activists once again made racial oppression an unavoidable topic is rife with attempts—conscious and not—to avoid necessary self-criticism by pinning blame on others.
Even the words most celebrated as poignant criticisms of racist violence are permeated with this false forgiveness. Consider Jon Stewart, formerly regarded as the voice for good, liberal white Americans everywhere. In the days after a white man entered a Black Charleston church, declared he would kill the congregation members in defense of the white race, and murdered nine innocent people, Stewart addressed the country on The Daily Show: "I have nothing other than just sadness, once again, that we have to peer into the abyss of the depraved violence that we do to each other and the nexus of a gaping racial wound that will not heal, yet we pretend doesn't exist."
On the surface, Stewart's words demanded a confession of the foundational sins white Americans have continually visited upon Black Americans throughout this nation's history. To make such a confession, it is implied, is to admit to the "gaping racial wound," so that it may be healed.
But the thread throughout Stewart's monologue was white guilt: What he actually confessed to was that guilt alone, in the form of sadness. If to confess is to absolve, then in speaking as he did, Stewart showed himself to be the kind of white person who does not ignore the racial wound. Later in the show, he criticized other media outlets for referring to what happened in Charleston as a tragedy rather than a terrorist attack, again positioning himself as a "more enlightened" kind of white person. In calling things by their "right" name, in confessing to racism, Stewart—whatever his intention—effectively absolved himself of his role in American racism.
In response, white Americans everywhere shared clips from The Daily Show, borrowed Stewart's words to make their own confessions, and rested easy knowing they were aligned with the good white people. Charles Pierce wrote a similarly moving (and similarly limited) response to the Charleston shooting on Esquire's politics blog, which was also widely shared by white people—including myself.
After three Muslim students were murdered over a supposed parking dispute in Chapel Hill, North Carolina, in 2015, The New Yorker and dozens of other outlets wrote articles with titles like "The Story of a Hate Crime," urging the nation to admit the murders' anti-Arab and anti-Muslim elements—articles that so successfully absolved this collective white guilt that the crime soon disappeared as an issue from public consciousness.
The same fault comes to a head every time that well-meaning white liberals "admit their privilege" and share articles with titles like "7 Things White People Can Do to Be Good Allies" or "Only White People Can Save Themselves From Racism and White Supremacism."
At their best, responses like these are meant to begin a conversation that leads to a larger struggle. More commonly—for myself, anyway—they are a defeatist response, a way of soothing my own guilt when I don't know what else I could do, or when the prospect of long-term, continuous struggle against the culture of a nation where hate groups are "surging" is too overwhelming to comprehend. Ironically, Stewart himself eventually admitted this shortcoming. "I'm confident, though," he said, "that by acknowledging [the racial wound], by staring into that and seeing it for what it is, we still won't do jack shit."
Perhaps I'm being unfair to Stewart and others, and perhaps I'm ignoring the ways this essay replicates the same issues it addresses. But my point is not a moral argument against particular speakers, it's an argument that we all efface self-criticism—almost without recognizing it—and must work to find ways to speak without absolving ourselves and without denying the fact we are continually at risk of failing. As feminist theorist Sara Ahmed has argued, "the language we think of as critical can easily 'lend itself' to the [things] we critique … Saying 'we are racist' becomes a claim to have overcome the conditions (unseen racism) that require the speech act in the first place."
We must speak differently, then; not in ways that position guilt as sublimation, but in ways that open up space for transformative action. Perhaps, for some, these tearful confessions do just that. Perhaps others do not hear the murmurs of absolution that I do. But to take Ahmed's point seriously, we must always be on guard against self-satisfaction, which means we must always be open to criticism. Such openness means resisting the urge to separate ourselves from racism and finding signs that prove that others are worse than ourselves.
One of the signs we focus on is the Confederate flag, a visual symbol that Southern states have made moves to distance from in the last several years. This is not to say that the flag is a distraction—many Black Americans, including Ta-Nehisi Coates, Vann R. Newkirk II, and Zandria Robinson, have argued convincingly that removing the flag offers real relief for those whose humanity the flag denies. But we're still left with a question Robinson raises: "How will white folks, even the ones who are advocating for [the flag] to come down and the others who will outwardly heave a sigh of relief when the thing comes down, react when nothing is left but the flesh of their terror?"
In the terms of our discourse, the flag became a measurement of guilt. Like I've been doing since I started looking down on pitiful Maurice from the Piggie Park as a 12-year-old, we point to the flag as one symbol that separates us from the problematic white people. We make it a symbol of the backward South, or the especially backward South Carolina, or the rednecks giving South Carolina a bad name. It allows us to mask our racism with classism. The true depth of Coates's argument when he wrote that the Confederate flag should have come down because it is "embarrassing to all Americans" is lost on us. We assume it's embarrassing because those other white people are embarrassing us, like a drunk uncle at a wedding. But racism is not contained in the Confederate flag, nor the n-word, nor the willingness to call the shooting in Charleston a terrorist attack. It is infused in everything we do, in every word we say.
What we obscure through our focus on easily identifiable symbols are the issues that actually undergird our racism, which Robinson names as "extrajudicial murders, police murders, racialized sexual violence, displacement of communities, food deserts, employment discrimination, unequal health treatment, chemical waste dumps, microaggressions." Any concrete measures that could rectify these realities remain hidden, unthinkable, even if "racism" doesn't. The idea of a universal basic income, a community-based alternative to the carceral system, or even basic worker protections all go undiscussed.
For all its talk, white America stays silent.
People, especially Black and brown people, have already been offering the kinds of transformative responses we actually require—we've simply ignored them in favor of false absolution from people like Jon Stewart. They've made attempts to center Black safety instead of white fear with Black Lives Matter, attempts to put our discourse in a broader context like the #CharlestonSyllabus project, and attempts to highlight ways we continue to silence the oppressed through economic injustice through mutual aid efforts and bail funds.
In trying to explain what we can do and what these projects do, I find myself drawn to another word, one that can hopefully provide a new center of gravity for our discourse and help disclose the efforts we must make. It's a word that hearkens back to our long unfinished revolution, and its revival for a few brief decades 150 years ago when the guilt of white Americans was last positioned as a secondary concern to Black livelihood and the creation of American democracy.
It's time to reconsider Reconstruction.