If you can make a myth out of any fear, you have
already won.

The serpent
skinnying its way through earth is the imitation
of a root, an atavism to be uprooted.

Inside my mother, there's an epistemology
of pointing. Inside of me,

I fit two lives inside my life.

I've stood twice
at a casket stunned at how their caked faces were failed

imitations of themselves.
Each time I froze and waited for a sign

to tell me death was made
thinner

by my looking. A wisteria-colored bruise
on my temple was a church-

shaped blues. The crescent-shaped scar

on my mother's cheek made her weak
in public.

Perfect rhymes don't exist in nature.

Yewa mastered death
while my mother mastered looking away.

When I became a poet, I cut God with a horizon.
Though all rhymes are hidden, you are

in alignment.

You are a line.
I was once

an enlightened thing,
who took in every emotion I was given.

Now taking is a task and I have so much to take
from.

Driving past the cemetery, I point
and tell her

that's where Linda is.

Don't point at the graves, she says.

All it takes
is a little bit of fear for one to shapeshift.

And when I think of death, I turn into myself.

Joshua Burton is a poet and educator from Houston, TX and received his MFA in poetry at Syracuse University. He is a 2019 Tin House Winter Workshop Scholar, 2019 Juniper Summer Writing Institute scholarship winner, 2019 Center for African American Poetry and Poetics fellowship finalist, received the Honorable Mention for the 2018 Toi Derricotte and Cornelius Eady Chapbook Prize, 2020 Wisconsin Institute for Creative Writing finalist, and a 2023 Elizabeth George Foundation grant recipient. His work can be found in Mississippi Review, Gulf Coast, The Rumpus, Conduit, TriQuarterly, Black Warrior Review, Grist, and Indiana Review. His chapbook Fracture Anthology is currently out with Ethel and his debut poetry collection Grace Engine is out with the University of Wisconsin Press.